It's going to be a long time before you see pieces in the mainstream media that are akin to what they do in BP and the Hardball Times. Now and then, yes, but not regularly. And with some good reason. While most of the people here are in-tune with sabermetrics and the like, you must remember that this is a very specialized board and that many in the general public don't have the foggiest notion of what things like VORP are. Nor do they care to learn. I had an older reader ask me what OPS was. Another asked why I was constantly "carrying on" about on-base percentage. The job of the baseball writer in the newspaper is to tell a story. Sometimes that story revolves around stats. Other times it centers on human interest or injury or intrigue of some sort. On top of that, you have very limited space with which to work in the paper. (As more papers focus more on their Web sites, that problem will be alleviated somewhat, thankfully.) I still have to write for a general audience and bring many of them along slowly when it comes to some of the newer thinking that's shaping the game. A few thoughts about Bruce's post: 1. "The job of the baseball writer in the newspaper is to tell a story." I'm pretty sure we can expand that statement to cover all sports writers in newspapers and other forms of media. I'd personally like to strangle Dick Ebersol (and others like him) for his role in emphasizing storytelling over the athletic event itself. I think it's great that a 15-year-old swimmer from Belarus overcame cancer and dyslexia on her way to the Olympics, but that doesn't mean that I'd rather watch a smarmy ten-minute documentary about her struggles instead of the actual freestyle race. Also, the need to tell a story produces some very questionable cause and effect relationships between off-field events and on-field events. When Rex Grossman throws three interceptions, it's not because he didn't read the defenses correctly, it's because he has a punctured soul and a cracked psyche. When the hits weren't falling for Aramis in the first part of 2006, it had nothing to do with BABIP, it's because he doesn't have the guts and leadership ability to put the team on his back with Derrek Lee hurt. If a sports writer feels the need to do a story on who Derek Jeter is dating or what Ryan Church's religious beliefs or Carl Everett's thoughts on dinosaurs, that's fine. But don't tell me there's a correlation between dating Jennifer Biel and fielding grounders at shortstop. Don't tell me that the Nationals stink because of "bad chemistry" in the clubhouse. Don't tell me that Everett's weird personal beliefs have anything to do with hitting a fastball. 2. It is possible to tell a story to a wide audience without producing total drivel. Integrity (artistic or otherwise) does not preclude commercial success or widespread appeal. The Departed and Scary Movie 4 put up similar box office numbers, for example. I don't dislike Muskat's work because she writes for a broad audience. I dislike her work because she is an unabashed apologist for the Cubs organization. 3. The Bill Plaschkes, Jay Mariottis, and Carrie Muskats of this world make me appreciate writers like Bruce all the more. Sure, he's not going into the same depth as guys like Dan Fox or Nate Silver, but it would be inappropriate to do so considering his audience.