Here's take two on the photo-combining effort. Everything I'm showing hinges on the fact that truly vertical lines will appear to be truly vertical regardless of from which angle you view it. In the pic with no fans in the seats (I'll refer to it as the documentary angle), Alou's glove, head, and his shoulder where it contacts the wall all appear to be roughly vertical. In the angle used in all the pics from page 1 of the thread (from now on I'll call it the traditional angle), it's clear that those three points don't align vertically, so you can only assert that they fall on the same plane, not on the same vertical line. I used where the division of the padding connects to the top of the wall to draw vertical lines to the railing. This introduces slight margin of error, as the railing is centered on top of the brick wall, as opposed to flush with the edge. That distance is probably about 2 inches. (Correcting this margin of error would slightly shift Alou's mitt and Bartman's hands farther away from the stands and toward the field of play.) I took half of the chunk of railing between the red lines, and I color-coded it into four more sections. These sections of color are on approximately the same pieces of railing in both pictures. Knowing that there is slight margin for error, this isn't perfect, but they provide reference points to draw conclusions the same way I concluded that Alou's head, glove, and shoulder are all on the same plane. http://img.photobucket.com/albums/v483/cubbybear314/newangleversion2.jpg http://img.photobucket.com/albums/v483/cubbybear314/traditionalangleversion2.jpg The only reference point on Alou's glove clearly visible from both angles is the part I circled. From the documentary angle, it appears to be closer to home plate than the yellow line. From the traditional angle, it appears to be further from home plate than the back red line. All this means is that we can assert that this point of his glove is somewhere over the field of play. The picture below shows this, though it is nowhere close to scale. The big black spots are the undefined locations of where the cameras were, the green line is the railing, the dots on the railing represent the vertical lines drawn above, and where the lines intersect represents the previously-determined spot on Alou's glove. http://img.photobucket.com/albums/v483/cubbybear314/overheadview.jpg What my fantastic MSPaint skills also show is, if a vertical line drawn over the traditional angle object X with spot Y on the railing, and a verticle line drawn over object X on the documentary angle aligns it with a spot on the railing closer to home plate than spot Y, then object X is over the field of play, with the black lines intersecting to the right of the railing. If object X when viewed from the documentary angle appears to be farther from the home plate than spot Y, then the intersection is to the left of the railing, and into the stands. Due to the angles, it's not possible to take any part of Alou's glove that's closer to the railing and make the same comparison. You can, however, make if-then assertions. In the documentary angle, the back edge of Alou's glove clearly lines up on the same plane as the blue-coded chunk of railing. I approximated the same line in the traditional angle. It's impossible to know for certain, but if that line in the traditional angle lines up with the exact same spot on Alou's glove, then that piece of his glove is directly above the front edge of the railing. To me, I think that exact spot on his glove used in the documentary angle lines up just barely closer to home plate when viewed from the traditional angle, which would put the very tip of his mitt above the top of the railing. (With the margin of error I described before, it would shift the color-coded pieces of railing slightly toward home plate and therefore the tip of Alou's glove slightly toward the field of play.) With the reference point of his glove resulting in so much variation, and this impossible-to-determine point being somewhere pretty close to right above the railing, it puts both Bartman's hands and the well of Alou's glove (likely where the ball was headed, since they're both reaching there) probably somewhere above the face of the padding to just in front of it. In order for Alou's glove to be "clearly reaching into the stands," this undetermined spot on his glove would have to appear to be, from the traditional angle, directly above some part of the green chunk of railing, in order to be able to plot it out on the MSPaint diagram with an intersection to the left of the railing. At most, you can claim a small part of Alou's glove was over the railing, with nearly all of it over the field of play. "Alou was clearly reaching into the stands" is false.